Singing to the Choir

On June 15, at Town Hall’s Great Hall, Seattle Girls Choir will present their biannual “All Choir Concert.” It features all six levels of Seattle Girls Choir from kindergarten through high school. About 180 young singers altogether, the event showcases their hard work and dedication.

Tickets are on sale now.

Town Hall’s marketing manager, Jonathan Shipley sat down with Seattle Girls Choir Artistic Director Jacob Winkler to discuss choral music, pursuing a degree in biology, and Simon and Garfunkel.

Jacob Winkler

JS: How did you get involved with Seattle Girls Choir?

JW: In 2009, SGC’s founder decided to retire after 27 years with the organization. I had a piano student who was a member of SGC, and she told me about the job opening and urged me to apply. I did, and ultimately was offered the position of Artistic Director and conductor of Prime Voci, the most senior group.

JS: What are you most proud of in your tenure there?

JW: I can point to individual achievements and moments. Certain concerts stick out in my mind, such as our first “Carmina Angelorum” holiday concert back in 2012. Last summer we competed in a big international choral festival, the Llangollen Eisteddfod in Wales, and we turned in some of the best performances we’ve ever done, which was extremely gratifying. Overall though, I think I’m most proud of the bigger picture: that every level of the organization has seen tangible musical growth over the past several years.

JS: What are you most looking forward to going forward as SGC’s Artistic Director?

JW: We’ve had a few years with a little bit of instability in our faculty, with really wonderful musicians who were getting pulled in many different directions. I’m extremely happy with the faculty we have in place now, and I’m looking forward to seeing the growth in the younger groups, and how that will trickle up to my own choir in 7-8 years!

JS: As a kid, when did you get introduced to music? What did your parents listen to? When did you start singing? When did you think you could make a career in music?

JW: My parents listened to a mix of classical music and folk. There was a lot of Simon & Garfunkel and Ian & Sylvia. I started off taking piano lessons probably about age six and joined the Northwest Boychoir when I was seven. I played and sang throughout high school, adding string bass into the mix mostly so I could hang out with the kids in my school orchestra, who were some of my best friends. I’m not sure when I started actively thinking about a career in music, but I remember coming to the realization in college that it really wasn’t going to be possible to pursue degrees in both music and biology (too many direct conflicts), and asking myself  “which one can I not do without?”

JS: Who are some of your favorite composers?

JW: I’m awfully fond of Beethoven. Film music was also an early love of mine, so John Williams too!

JS: What are some of your favorite choral pieces?

JW: Every year we sing Benjamin Britten’s “A Ceremony of Carols” during the holiday season. I keep waiting to get tired of it, but it hasn’t happened yet!

JS: What are the steps involved if a child wanted to join SGC?

JW: Step one is always going to be getting in touch with our office. What happens next depends a little on age: In kindergarten or first grade they would probably be placed in out Piccolini group. All other groups require a short and, hopefully, non-threatening audition where the child is asked to sing a song and play some ear games to demonstrate their ability to match pitches. Older girls may also be asked to demonstrate any prior knowledge like identifying notes on a staff or rhythmic values.

JS: If you could sing a duet with someone famous, who would it be?

JW: What a great question! I’m going to go with Paul McCartney. There were some great duets between Paul and John Lennon in the Beatles’ early material, and it would be really great doing things like “If I Fell” or “I’ll Follow the Sun” with Sir Paul!

Join Jacob Winkler and fall for the wondrous sounds of the Seattle Girls Choir on June 15. Get your tickets here.

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dTown Hall Seattle is committed to accessibility for audiences and artists alike. From our ticketing policies to the capacities of our physical space, our goal is for Town Hall to be a place where everyone can take part, be inspired, and use their voice to shape our future.

Our Venue

In 2019, Town Hall Seattle completed a $35 million renovation, providing an even more accessible home for our city’s conversations and creativity. Core accessibility features of the renovation include:

  • At-grade entrances (8th Ave Entrance to The Lobby, and West Entrance facing Downtown Seattle)
  • Restrooms for all genders and bodies. Our building features 17 all-gender restrooms on our lobby level, as well as ADA-accessible restrooms on the lobby and Forum level
  • Church pew/bench seats with wheelchair and companion seating in The Great Hall, and variable/movable seating in The Wyncote NW Forum and The Mehdi Reading Room
  • A modern, spacious elevator serving all three levels of the building and a wheelchair lift for speaker access to the Forum green room
  • Wheelchair ramp leading to the Forum Stage and wheelchair access via the elevator to the Great Hall stage
  • Accessible backstage areas, restrooms, and green rooms serviced by an elevator
  • Speaker and presenter seating for all bodies and abilities
  • A Hearing Loop system in all three performance spaces. Using T-Coil (wireless receiver) technology, the hearing loop system projects voices and sounds directly from the microphone into an individual’s hearing aid.
  • Braille on permanent room signage throughout the building

A Note on Transportation and Parking

Town Hall Seattle does not have a designated parking lot. Our venue is served by frequent bus routes, is near access to light rail stations, and close to a number of parking options nearby – including discounted, ADA parking at LAZ Parking (6th Ave Coast Seattle Downtown Hotel Garage). Learn more about parking options and discounted parking nearby here.

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Town Hall strives to ensure that all audience members can participate fully in our programs. We make every effort to provide real-time captioning (CART), ASL interpretation, translation and transcription services, and seating accommodations upon request.

Town Hall currently provides livestreaming for select events. An event may be livestreamed under any of the following circumstances:

  • In-person tickets to the event are sold out or anticipated to sell out
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  • Livestreaming is requested by a ticket buyer
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Audio and/or video recordings of most Town Hall-produced programs are available to the public approximately 2 weeks after the initial event date. You can find Town Hall’s digital content by visiting the Audio & Video Archives, and by subscribing to our podcasts and YouTube channel.

We do our best to honor livestream requests, pending staffing and permission from speakers and publishers. Contact access@townhallseattle.org to request accessibility services, ask questions, or to let us know what other accommodation you need to participate fully. Please provide at least 2 weeks’ advance notice when requesting CART and Livestreaming, and at least 4 weeks’ notice when requesting ASL.

For more information about our entrances, accessibility requests, and more, check out our Plan Your Visit pages.

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Town Hall strives to ensure that the cost of admission is never a barrier to participation. Almost all Town Hall-produced events are available on a sliding scale starting at $10, and many events are free. To break down further barriers to access, our 22 & Under initiative launched in 2019 with support from the Seattle Office of Arts & Culture, making most Town Hall-produced programs free for everyone aged 22 & Under.

If the ticket price to a Town Hall-produced program poses a barrier for you, please contact patronservices@townhallseattle.org for economic accommodations.

Economic Access for Rental Partners: We operate our stages with the same deep commitment to economic accessibility; our performance spaces are the most affordable in the region among similarly sized venues. We underwrite rental rates and related services for other small and midsized nonprofits and mission-aligned producers to help level the cultural playing field and ensure that everyone can afford to take the stage.

Note: Town Hall does not set the ticket prices for Rental Partner events. Our sliding scale ticketing model and 22 & Under tickets do not extend to programs produced by Rental Partners. To identify rental events, look for the gray “Rental Partner” label on our website and printed calendar.

Town Hall values active collaboration with our community, and our commitment to accessibility is no different. We invite you to contact us with feedback and ideas.